Occasionally* I stall on a writing project. Let’s face it: novels are big projects. So are humor books. They take up a lot of time, a lot of brain space, and a lot of caffeine. Juggling all three for months on end gets tiring. So, when I slow down, crawling toward a finish line I can no longer see, I need something to jump-start the project.
That’s usually when I email Mike.
Mike (a.k.a. Mike Ferrin, for the uninitiated) is my cartoonist. Some people feel they need an attorney on retainer. Or an accountant. I need a cartoonist. And let me just say right now that I love being able to say I have a cartoonist.
Once I’ve emailed Mike (typically this happens around 3 a.m. in a coffee-driven, adrenaline-based panic brought on by another plot hole I’ve fallen into), I wait for him to get on board with whatever harebrained idea I’ve conjured for the book’s cover. (This takes anywhere from two minutes to two-and-a-half minutes.) Then we get started on the artwork proper. By this time I’m so wrapped up in the ideas for the cover that I’ve completely forgotten that there’s supposed to be a bunch of pages with words on them inside.
And also by this time, there is a directly inverse correlation between how much time I’m spending on the cover for the book and how much time I’m spending on the text for the book. As the time spent in Scrivener writing the book withers, the time spent in InDesign fiddling with the eyedropper tool skyrockets.
Now, I know not all of my books have cartoon covers—and therefore didn’t need Mike’s services—but I’m at a point in my career where most of my books have utilized Mike’s services. Part of that’s because he’s so much fun to procrastinate with… I mean, to work with. Yeah, that’s what I meant. Um, yeah. But part of it is that I hear people talking about branding. It sounded painful at first, till I realized what they actually meant. Turns out it doesn’t involve cattle at all. Huh.
Anyway, Mike’s cartoon artwork for six of my book covers has become part of my brand. And I wasn’t even trying to have a brand. I just wanted an artistically talented goofball to talk me down off the creative ledge. Again.
So, this is my long, drawn-out way of saying that, although I have a completed first draft for each of the next two books in the Red Ink Mysteries series, I’m plodding through editing them and not really enjoying it.
But I love working on covers, so… Mike got that late-night email a while ago and is finishing up the artwork for Charlotte’s Website. And, along the way, he entertained me, made me laugh, and got me excited about the project again.
I predict both The Tell-Tale Heart Attack and Charlotte’s Website will be available by summer 2018. And that’s due in no small part to an amazing cartoonist named Mike Ferrin. Thanks, Mike!
*By “occasionally,” I mean nearly every week.